The Sad Life of TikTok’s Viral Dancing Robot

This masterpiece is making millions cry.

Alberto Romero
OneZero

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Can’t Help Myself — Photo by Ana Romero (Wikimedia Commons)

Another swing. Another sweep. Going on forever, to never fulfill the perpetual task it was programmed for.

This has been the reality of Sun Yuan & Peng Yu’s robotic masterpiece “Can’t Help Myself.” Commissioned in 2016 for the Guggenheim museum in New York, the industrial robot arm had only one task, to keep a blood-like liquid from leaking out of a predetermined area.

Equipped with visual sensors, the robot would perceive when the liquid had gone too far and, as a graceful, elegant dancer, would move around with precisely choreographed movements to sweep the viscous fluid back into place, spreading the transparent showcase with fortuitous garnet drops.

“The robot’s endless, repetitive dance presents an absurd, Sisyphean view of contemporary issues surrounding migration and sovereignty,” says Xiaoyu Weng, curator of contemporary art who wrote about the piece. She argues one possible meaning behind Yuan and Yu’s work was to bring attention to the increasing use of technology for surveillance and border control, while the bloodstains would resemble the “lives sacrificed in border conflicts and wars.”

They also hint at how new forms of technology are permeating through everyday life, “from surveillance…

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