Tech Has Drained the Reality Out of Our Real Lives

Old tech like disposable cameras inadvertently reinforced the vitality of real life, but modern cameras now create a superior virtual world we don’t feel good enough for

Jenny Judge
OneZero

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John William Waterhouse, “Echo and Narcissus.” Public domain.

TThey always seemed like enchanted objects to me. The disposable cameras we stuffed into our cheap handbags in the late 1990s and early 2000s were really just empty plastic containers with a lens on one side. And yet, within that sealed box, there occurred a kind of alchemy, all the more miraculous for being mechanical, that gave us the power to freeze time. We could slice slivers off the shifting visible world, like doctors performing biopsies of living things, and keep the specimens to be pored over whenever we liked.

Through cassette tapes and VCRs, our dominion was extended beyond mere shavings of time to whole chunks of it. My sisters and I would record TV programs and films so that we could re-watch them at our leisure. I would crouch over the “play-record” button on my boom box as Tony Fenton — then the star DJ of radio station 2FM where I lived in Ireland — played the latest hits, poised to lay siege to my favorite songs like a huntsman hiding in a bush.

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